Flow of Ideas: articles - Cold Hands and Quarter Moon |
||||||||||||||||||
A Capital Friendly Culture for Further Education Academy Chains After the Hillcole Group Against What We Are Worth Ambassadors of Capital in Schools An Educational Mansion House for Business Apprenticeship and the Use-value Aspect of Labour Power Artistic Outlook Ayers Rocked In His Own Universe B Generation Bourdieu on Capital Bourdieu on Cultural Capital Bourdieu on Social Capital Brown PFI Monster Business Sponsorship of Schools Business Takeover of Further Education Cambridge University Occupation Caught in the Storm of Capital Co-payment in Hospitals and Schools Cold Hands and Quarter Moon Communitarianism for Schools Compulsory Consumption and Uni-Nanny Conforming Schools Conforming Kids Copy/South Dossier Creating Monsters Creeping Privatisation in Higher Education Critical Mass Critical Pedagogy and Capitalism Critical Space in Education Delivering E-Learning Digital Rights Management Distillation Dorothy L. Sayers Douglas Kennedy: best-selling novelist E-learning for Free at the BBC Edison Schools in the UK Education and Inspections Bill (2006) Education As Culture Machine Education Fireworks Education for Debt Education Incorporated Education Markets and Missing Products Education Repetition Education the HSBC Way Education White Paper Education, Globalisation and the Learning Society Employers and School Leavers Evaluating Different Teaching Methods Everything Louder Than Everything Else Finance and Fear Five Endings of Desires Foibles, Frolics and Phantasms Freedom Freewill French New Wave Cinema Full Report Ruth Rikowski's Book Launch for Globalisation, Information and Libraries Gender and Spokesperson in Group Work Issues Global Trading Globalisation and Education Revisited Habituation of the Nation Higher Education and Confused Employer Syndrome Hitchcock: classic auteur Human capital, the knowledge economy and business In Retro Glide In the Dentist's Chair Kids in the Land of No Dreams KM Critique Lazy Brit Kids Learning in the Earthworks of Capital Learning Investments Learning to the Max Librarianship and Human Rights Lifelong Learning and the Political Economy of Containment LSBU Strategy Marketisation of the Schools System in England Marx and Education Revisited Marx and the Future of the Human Marxism and Education Revisited Marxist Educational Theory Unplugged Maturity and Freedom McDonaldization and Education Michael Jackson Michele Roberts Miss Allison and Novel Writing Moneythought in Higher Education Mrs Thatcher and Holes in the Kitchen Floor Multiculturalism and Faith Schools My Tony Blair New Ideas in Ruth Rikowski's Book - Part 1 New Ideas in Ruth Rikowski's Book - Part 2 New Labour Policy for Schools Nietzsche's School Nihilism and Educational Values No Learner Left Unhassled Notes on the Confessions of John Denham On Education for Its Own Sake On Education Studies On the Capitalisation of Schools in England On Transhumanism and Education Open Access Outsourcing Public Services Peter Wilby on School Privatisation Planet of the Capitorg Plato Playgound Risks and Handcuffed Kids Poems by Gregory Rikowski Poems by Victor Rikowski Post-Fordism and Schools Post-Fordism in Primary Schools Postmodern Dereliction in the Face of Neoliberal Education Policy PowerPointlessness in Higher Education Private Schools as Charities Privatisation of Schools in England Privatisation of Student Debt Races in the Imperial War Readings for Teaching Course Recruitment and Labour Power Revealed Recruitment Criteria through the Use-value Aspect of Labour-power Robotic Ethics Ruth Rikowski Updates (Archives) Ruth Rikowski Updates (Archives) School Fees and the 1944 Education Act Schools: Building for Business Science Fiction Films and Horror Second Time as Farce Snowballs and Risk in Schools Social Contract Theory and Political Obligations Socialism is not Dead Speed of Life - Part One Speed of Life - Part Two Stroppy Individuals and Oppositional Cultures in Schools Sustainability Policy at London South Bank University Ten Points on Marx, Class and Education The Business of Becoming a Business for Academies The Capitalisation of Schools - Federations and Academies The CBI and the Business Takeover of Schools The Commodification of Education The Education White Paper and the Marketisation of Schools The Evolution of Federations of Schools The Last Parents Evening The New Japanisation of Schools The Profit Virus - The Business Takeover of Schools The Standards Language-game for Schools in England The Which Blair Project Three Types of Apprenticeship - Three Forms of Mastery Tony and Caroline Benn Tony Benn: Letters to Grandchildren Transport Turney's and PPU Uninspiring Towers Universe of Capital and My Space Universities in a Neoliberal World Utopia and Education What Can Nietzsche Teach Ya When Bullies Roam the School When the Bowers Break Why Employers Can't Ever Get What They Want Will Hutton and His E-Foss Wolf on Marx Without Sparks Women in World Wars
| Cold Hands & Quarter Moon Victor Rikowski – Guitar & Vox. Alex Lowther-Harris – Guitar, Banjo, Accordion & Vox. Louie Ashton-Butler – Vox. Nicholas Frost – Violin Jack Rennie – Bass Guitar William J Roberts – Hand Percussion In the autumn of 2008, Aaron Ledbury suggested to me that some kind of jam should take place between two musicians, namely him and me. I knew he played the ukulele and he knew that I played the guitar and bass. A month or two later this suggestion, Alex Lowther-Harris who was a banjo, guitar & synthesiser extraordinaire. We began to do some general jamming, with me on the bass, Alex on banjo and Aaron on ukulele. It was around winter 2008/spring 2009 that we began to make it a regular thing. Sunday was our compulsory weekly jam. For the rest of the year we were trying to figure out what our band/music was about and what we wanted to get out of the whole thing. We recorded quite a few of our jam sessions on Dictaphone. We were working on a big repertoire of songs; songs without lyrics in a band without a singer. Most of the songs were a bunch of chords which Aaron would jam/improvise over occasionally, with Alex and I occasionally having our own time in the spotlight. I one song I played flute and Aaron played harmonica and Alex played guitar. We often swapped, switched and sometimes even modified our instruments. Our style was a kind-of bluegrass, jamming and, predominantly, blues style. But without any singer, lyrics or main melody for all of our songs we were stuck for where to go next. But we didn’t really care. We enjoyed playing music and having fun with it. Alex and Aaron wrote the songs/chords together and I wrote the baselines along with their ideas. Late at night one day the three of us went down to the beach on the Menai Straight between Bangor and Anglesey. It was a stone beach with huge boulders and calm water. It was very dark and very cold but it was also very beautiful. We played for about half an hour before complaining about how cold our hands were. We carried on playing nonetheless. We then noticed that it the moon was quarter full. It was in memory of that magical night that the band then became Cold Hands & Quarter Moon. The academic year came to a close. Over the summer holidays I began writing songs again. I hadn’t written a song in years and it was nice to start again. I wrote them purely for my own enjoyment but when I came back to university and played a couple of them to Aaron he said he really liked them and that he wanted to work on them for the band. From then on the band had developed a whole new perspective. We were a band that did songs. The style of the songs maintained the original blues ethic, but also added in folk and even a few punk and country influences. The band line up began to change rapidly from then on. At the beginning of the year it was just me and Aaron in the band, me on guitar and vocals and Aaron on bass. Alex didn’t seem to like the new direction of the band so it was just me and Aaron. However, Aaron and I both knew that we needed more musicians/singers in order to get the band to be how we wanted it to be. The next person to join the band was Nicholas Frost, who is a really good violinist and plays for the Bangor University Orchestra. He did a really good job with the songs that we had. When Nick came to his first practice he brought along with him the guy known as Louie, who is a very good singer and recently (December 2009) performed a vocal solo in the Bangor University Winter Concert. I had been thinking for a week or two about finding myself another female singer but then suddenly it struck the band as obvious; why didn’t Louie join the band. We had a second singer. Eventually Alex came back into the band playing banjo, guitar and, very brilliantly, the accordion. It was done, the band line-up was complete. Alex began to write songs too, and writing them very quickly. We began to practice regularly and for long hours of the day, much to our housemate’s annoyance. Just when we were getting pretty tight and ready to tour the pubs and open-mike’s of Bangor, disaster struck. Aaron was being thrown out of university because of his financial difficulties concerning last year’s rent. We had lost our bassist, the bassist who had learnt and written all the bass lines for the new songs by me and Alex along with the couple of cover songs we did. We had to find a new bassist. Jack Rennie was the next person to join the band in autumn 2009 as the bassist. We began practicing again and re-learning the songs we had already done. Before too long we were performing songs in the pubs and open-mike’s in Bangor. First we performed in the Bell Vue (which was my personal favourite), the next one we did was at The Underground or The Venue on Bangor High Street. The next was open-mike at The Greek. We did a session in the recording studio soon after that, which I was using as coursework for my music degree. For quite some time I was thinking about having a drummer and Jack Rennie had an electric drum kit. I knew how rare/difficult it is for a band to get a drummer and so this was likely to be the only opportunity of having one but, having realized that it wouldn’t suit the aesthetics of the band, I stuck with what we had. But I still wanted some percussion in the band. I went down to the shop and bought some bongos, a tambourine and an egg shaker. Soon after this William Roberts wanted to join the band as our percussionist. So now we’ve settled for the six of us and look forward to recording more songs in the studio and performing more folk/blues/country songs in pubs and open-mike sessions. Seven of our songs have now been put up on YouTube, and here are the links: 'Brown Shoes' - written and composed by Alex Lowther-Harris Brown Shoes ‘Disassemble’ – written and composed by Victor Rikowski Disassemble 'Human Herbs' – written and composed by Victor Rikowski Human Herbs 'Reverence' – written and composed by Alex Lowther-Harris Reverence ‘Simon says get out’ – written and composed by Victor Rikowski Simon says get out 'Stagnant' – written and composed by Victor Rikowski Stagnant ‘Traitor' – written and composed by Victor Rikowski Traitor Victor can be seen as the lead singer in 'Reverence' and 'Human Herbs'. © Copyright, Victor Rikowski and ‘Cold Hands & Quarter Moon’, January 2010 Print Friendly - Print Friendly with links |
|||||||||||||||||
|
||||||||||||||||||